EB Garamond: This would be my preference. Claude Garamond came to prominence in the 1540s, first for a Greek typeface he was commissioned to design for the kind of France. [52][53] This is considered unlikely by modern historians since his mother was still alive when he died in 1561 and little is known of him before around 1540. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Plantin-Moretus Museum in … The American Monotype's Garamont specimen, showing the capitals. Having designed many typefaces in his lifetime, it can be said that the origin of Garamond is not ONE typeface in particular but the style in which Garamond designed his punch cuts. The Cormorant Garamond font has been downloaded 37,933 times. 8 is a freeware version of Garamond contributed by URW++ to the Ghostscript project, based on Stempel Garamond. He trained with a punch cutter, and went on to work as a publisher and design a number of typefaces. The italics are also very different to Garamond's own or Granjon's, being much more ornate and with considerable variation in angle of the capitals. Garamond-style typefaces are popular and often used, particularly for printing body text and books. Optical sizes in EB Garamond. A 1950s version following Jannon by the Simoncini company of Italy, owned by Francesco Simoncini, which sold matrices for Linotype machines. We are so used to seeing it that we might miss the differences in each one and think that Garamond is just one thing, and it’s not. [200] This suited Linotype's hot metal typesetting system. [169] Slimbach decided not to base the design directly on Garamond types in the 9-15pt sizes normally used for book text, but on Garamond's larger "parangonne" type, which he felt was Garamond's "most attractive work". Purchasers included the Le Bé type foundry in Paris run by the family of Guillaume Le Bé and Christophe Plantin, who was in Paris at the time; the Frankfurt foundry often referred to by historians as Egenolff-Berner also came to acquire materials of Garamond's. He was an expert printer who ran a printing-office under the Duke of Parma. [178] Adobe executive Thomas Phinney characterized Garamond Premier as a "more directly authentic revival" than their earlier Garamond, which he described as "a more restrained and modernized interpretation". [9], Besides general characteristics, writers on type have generally praised the even quality of Garamond's type: John A. "[149] LTC's digitisation deliberately maintained its eccentricity and irregularity true to period printing, avoiding perfect verticals. The roman weights were based on the true Garamond, and the italics on those of punchcutter Robert Granjon. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon’s types, and others on the original Garamond types. Hugh Williamson suggested that some uses of this italic included characters not cut by Garamond. [198], A 1972 revival for phototypesetting issued by H. Berthold and designed by Günter Gerhard Lange. [35][146][180] An unusual feature is the digit 0, which has reversed contrast, with the thickest points of the number on the top and bottom of the digit to make it more distinguishable from an 'o'. Registering to this website, you accept our Terms of use and our Privacy policy. [35][149][20][150] (Warde's article was originally published pseudonymously as the work of 'Paul Beaujon', a persona Warde later said she imagined to have a "long grey beard, four grandchildren, a great interest in antique furniture and a rather vague address in Montparesse." Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type. The 'M' is slightly splayed with outward-facing serifs at the top (sometimes only on the left) and the leg of the 'R' extends outwards from the letter. Download Garamond Italic for free on AllFont.net. EB Garamond is an open source project to create a revival of Claude Garamont’s famous humanist typeface from the mid-16th century. The font family contains regular, semibold, and bold weights and was developed following a research visit to the Plantin-Moretus Museum. [20][111][119] It has sometimes been claimed that this term was an official name designated for the Jannon type by Cardinal Richelieu,[120] while Warde in 1926 more plausibly suggested it might be a garbled recollection of Jannon's work with the Sedan Academy, which operated much like a university despite not using the name. [98] Plantin also commissioned punchcutter Robert Granjon to create alternate characters for three Garamond fonts with shortened ascenders and descenders to allow tighter linespacing. [181][182] The Klingspor Museum credits it to Stempel's head of typeface development Dr. Rudolf Wolf. New York: Farrar, Straus and Giroux, 2012. [43] This period saw the creation of a pool of high-quality punches and matrices, many of which would remain used for the next two centuries. Sign in, Get exclusive resources straight to your inbox. [196][197][198] It is named after Jacques Sabon, a Frankfurt-based printer, who introduced the typefaces of Garamond and his contemporaries to German printing. Yes, some people don’t think about them too much, and that’s how you end up with folks that use Comic Sans in a professional sales presentation. He trained with a punch cutter, and went on to work as a publisher and design a number of typefaces. From the beginning, the forms of our letters have been influenced by the tools we used to create them.This cuneiform inscribed tablet is an early example of how medium influenced form in written communication. Garamond-style typefaces are popular and particularly often used for book printing and body text. More practical to use than ATF's handset foundry type, the number distinguished it from two versions of Stempel Garamond which Linotype also sold. [205] As Georg Duffner was unable to complete the bold weights for personal reasons, the project was continued by Octavio Pardo. However, the matrix is the mould for the letterform part of a sort. The most common digital font named Garamond is Monotype Garamond. "[219] Professional type designer Jackson Cavanaugh commented "If we're actually interested in reducing waste, just printing less – using less paper – is obviously more efficient."[262]. 'S type: John a was an expert printer who ran a printing-office the. 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